The Menu Review – As New(ish) Genre Coalesces A King Emerges
While it isn’t truly a completely new breed of film, there is a genre developing in recent years that might be thought of (for simplicity’s sake) as “Absurdist Metaphor.” The standouts of this, movement perhaps, are Yorgos Lanthimos (The Lobster) and Ruben Östlund (The Square), whose films are largely like a new offshoot of sci-fi/fantasy, […]