If there is one thing to expect from South Korean director Park Chan-wook, it’s the unexpected. From The Vengeance Trilogy, Thirst (2009), Stoker (2013), and The Handmaiden (2016), Park is a master of keeping us on our toes. Even when we have a familiarity with his set up, he has a knack for…

Based on the book of the same name (by William Gibson – pioneer of the cyberpunk genre), The Peripheral boasts that it’s “from the creators of Westworld,” and there is little that would give audiences a better idea of the style and character interplay. From the perspective of simply the viewing experience, this might as […]

Ruben Östlund, writer/director of the masterful Force Majeure (2014), is back to once again question and deconstruct commonly held social beliefs. Instead of looking at the institution of marriage and the roles of husbands and wives, Östlund casts a wider net in Triangle of Sadness (2022). Winner of the…

Rosaline (2022) delivers a new twist to the Romeo & Juliet story – well, kind of. Instead of focusing on the doomed relationship of our famous lovers, this version takes a background character and brings them to the forefront. For those that may not remember: in William Shakespeare’s tragic…